![]() Sometimes the budget will only allow for the scratch track. ![]() Let them know you’d prefer to have both jam-sync timecode AND a reliable scratch track running. Talk to both your DP and on-set sound mixer. While it’s extremely rare to find errors with timecode syncing (unless of course your timecode has drifted), Premiere Pro can have a hard time with audio waveform syncing if your scratch track quality is poor or the sync sound has a low volume. It’s also fast and easy, so let’s get started! Set yourself up for success Without the hassle of having to pay an additional fee or switch between software. While not nearly as robust as Resolve, I find Premiere Pro gives me better results than third-party plugins. There are some pretty significant reasons that may change your outlook if you’re multi-cam proponent. This may come across as a bold statement, and I’ll explain why I prefer merged clips over multi-camera clips. Personally, I prefer to take the syncing process one step further and create merged clips. Many seasoned Premiere Pro editors choose to edit with multi-camera clips. You’ll find it in a feature you’ve likely used many times already-Multi-Camera Source Sequences. Many people don’t realize that Premiere Pro actually has its own batch auto-sync tool. So what do I do in these scenarios? Audio sync in Premiere Pro But he doesn’t receive the day’s production audio until after wrap, which makes syncing on set impossible. On the feature I’m currently cutting, the DIT transcodes proxies as he offloads camera cards. In these cases, you simply don’t need to create proxies. Or, in some scenarios, you may be shooting in an edit-ready codec like ProRes or DNxHR. If you’re planning to use Adobe Premiere Pro’s built-in proxy workflow, which requires that proxy and full-resolution media have a matching number of audio tracks, then creating synced proxies in Resolve flies out the window. Yet syncing in Resolve isn’t always the best option for your overall workflow. I’ve already written about my preferred method-using DaVinci Resolve’s auto-sync feature-which allows you to sync an entire day’s worth of footage in one click. Audio sync in Premiere Pro is no different. However, the algorithms of both Premiere Pro CC and FCP-X are optimised in a way that you should get perfectly synchronised files even when the audio quality of the original video data is not that great.Įither way, this simple workflow will save you a ton of time and energy in post, so you can concentrate your efforts on the creative, not the technical side of the process.Syncing production audio is one of the most tedious and time-consuming post-production tasks. It’s also a good practice to use a clapperboard to get the best possible results. It’s important to note that you will also need to organise and label appropriately both audio and video clips in advance before you start. The platform will automatically generate a new merged clip for you where both tracks should be perfectly synced. Then go the Clip Menu and select Synchronize Clips. In FCP-X, you need to hold the Command Key and select both audio and video files you want to sync together. Here is how you can automatically merge your audio and video clips utilising the Apple’s editor sync capabilites. The workflow within Final Cut-X seems to be even simpler. You can also remove the original audio track that comes with the video clip by ticking the Remove Audio from AV Clip, then hit OK and you are ready to go. Make sure that the Synchronize Point is set to Audio. In the dialog box that pops up, you can assign a different name to the new file that you are about to create. In Premiere Pro CC select both clips you want to sync together. Surprisingly enough, there are many Premiere Pro CC and Final Cut-X users who are still not familiar that both platforms provide the option that lets you automatically sync audio and video clips without the need for a third-party plugin such as the famous Red Giant’s PluralEyes. The challenge gets even tougher when the production crew forgets to slate some of the shots or bring you poor quality in-camera audio. Manual syncing in these situations can be a really overwhelming and time-consuming process, especially when you are working on bigger projects where hundreds (often even thousands) of files need to be organised and synced together. ![]() One of the common issues that every editor should deal with even before starting the edit is syncing video and audio files, which have been recorder separately most of the time. ![]() ![]() Whether you are working with a client or on your own project, there are many tips and tricks that can be beneficial and make your life in the editing suite a lot easier and enjoyable. As video editors, we are always challenged to find the most efficient and creative way to put together a certain story. ![]()
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